The “lost” minutes of the title are finally disclosed in the most obvious and least imaginative way possible. You may find yourself always about 30 minutes ahead of what’s happening in “The Minutes,” which is a problem for a play that lasts only 90.
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‘Cyrano de Bergerac’ Off Broadway Review: James McAvoy Plays a Poet Stud But hey, the character is a useful idiot, so go at her! Unfortunately, this silly nincompoop presages far cruder writing to come. Letts’ material here is reminiscent of TV sitcoms from the 1970s or earlier, as sexist as it is ageist. Shapiro’s uneven direction.īut what are we to make of the total female dingbat on the council, who appears also to be its youngest member? Perhaps there’s no other way for Sally Murphy to play this thankless and equally unfunny role. Todd Freeman and Jeff Still also keep the seemingly benign fascism from surfacing too soon under Anna D. Playing the mayor’s henchmen, Cliff Chamberlain, K.
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Two pros, Brown and Pendleton, give acting lessons on how to underplay for maximum comic effect. The speech amuses for a couple of reasons: Just when you think it’s finished, it’s not and more important, Brown delivers an amazing impersonation of Senator Dianne Feinstein on the Senate Judiciary Committee before she was relieved of those duties sometime after the unfortunate Amy Coney Barrett hearings. Brown personifies willful incompetence.Īnd speaking of entitled senility, Austin Pendleton plays an even older council member whose major concern is his parking space. Hopefully, theatergoers are paying attention, because an older female council member (Blair Brown) prolongs the tedium of the city council meeting by delivering a self-congratulatory speech about the upcoming November festival, which for her symbolizes Big Cherry’s pride. Our interest in “The Minutes” hangs on those two brief mentions of persecuted indigenous people at the top. ‘American Buffalo’ Broadway Review: Sam Rockwell and Laurence Fishburne Explore Mamet’s Dark Side